Poetry Festival
Fourth Annual Jacaranda Poetry Contest Winners 2010
On behalf of Pasco Arts Council and the Fourth Annual Jacaranda Poetry Festival,
we would like to extend our gratitude to our distinguished judges,
William Boden and Kurt Wilt, Ph.D
First Prize
Fever
(Peggy Lee recorded Fever in1958.)
Teenage hips felt the steady brushes against
the drum, the pulse of the bass so slick and luscious
I had to move in some way. I sensed
the fever, didn’t care about the fuss
over the dark, insinuating beat,
the words that promised to love and treat me right.
Her voice sizzled, climbed, turned up the heat,
pushing me to be Miss Fahrenheit,
waiting for the one who would anoint
me with the cure, some skinny, acned boy
snapping his fingers in eager counterpoint.
After Fever no point in being coy;
Too late, they banned her from the radio.
The music, those words were all we needed to know.
Second Prize (Tie, first of two)
In Bryant Park
In your gray grandfather hat,
Your face and arms, in fact, all of you
Had that just-return-from-Florida glow—
Soft, golden, beautiful.
How then could I, too,
Look beautiful to you when I was in
Treatment for a sudden, startling disease?
Somehow I had become your mirror.
Round and marble and muted brown,
The water fountain cools us in the summer sizzle.
At the bottom of the lime green pond
Are wishing pennies
Like motionless copper fish.
Round and light aluminum and deep green,
The tables where we sit
Beneath a matching umbrella,
You give me a soft kiss—
Like silk and nectar from a delicate flower.
When breast cancer only wishes
To deplete me more and more,
I have found this moment
To own as my very own,
And I remain alive.
We recline together
Clothed in white,
In the cool, summer grass,
A sea of everlasting green,
You said I was a goddess,
I said you were a god,
But you declined.
And to our right in magical response,
The Empire State Building was lit
That night
With a brilliant crown of emerald lights.
So many leagues below to fathom
Here in this green sea.
High maples and ivy beds and flowers
Vased in huge, gray planters,
Placed along stone slab walkways.
Surprise sights through numerous branches—
From the thick foliage bordered
Around the park peek
Traffic lights doing their timely dance
Of green-yellow-red.
But it is the green that works in tandem
To the sound of the rest of the trees.
Here only a soothing sprig of Nature.
For beyond are the canyons of side streets,
The fjords of the city.
As we sit in a large rectangle box
This green city block,
The noise is not so far away—
Horns honk,
Buses rumble,
Brakes squeal,
A muted cacophony of hissing, throbbing, trembling.
Buildings come in various tall sizes,
With windows lit sporadically
By workaholic lights.
These concrete structures with endless glassy shimmers,
Reflect the dusk
Against a deepening blue poster sky.
As a lone trumpet from a CD player
Wafts through the calm of the oncoming night,
And yellow street lamps go on.
This is the richest city in the world,
With its burning neon life,
But buildings do fall,
Steel beams can crush bones,
The city was deeply wounded,
Only a handful of years ago,
But not fatally,
And not tonight,
And the city remains alive.
However, even the immovable does not last forever,
Despite a thousand wishes in the fountain centerpiece.
What could have been here in this park
10,000 years ago?
What kind of tree or mound,
Haven to a hill creature,
And many other crawling things?
What kind of creature perhaps chirped
Besides a little brook?
Or maybe there was a glacier-formed rock
And a steep climb for some Indian tribe?
Or what will be here 10,000 years from now?
What will appear in that mist—
Leaves and lights of green-yellow-red?
And what creatures will linger in its domain?
Will it be flat or raised mountain high?
Or underwater in the sea
Where the true copper fishes swim?
Will there be entirely new buildings,
Odd-shaped and stranger yet,
Their occupants dreaming in starry wonder
Of the black void overhead?
Or would they already have been there?
But it is not tonight.
For on this very night,
Before the press of crowds
Running for high stairways,
And the subway rattlings on the way home,
The screeching of the rails
In sparking friction,
I am here in this time and place,
Here with you,
And despite an awful sickness
I still can look beautiful to you.
In this place of amazement and rest,
Is a much-needed respite,
And a sanctuary of fathomless green.
Eleanor Remeczky
Second Prize (Tie, second of two)
Six Weeks, and Dead
What remains of the cribbed and stiffened child
Whelms her family more with awe than draining grief.
Beyond this pain-filled room looms endless cold.
Chilling death stooped low choosing this one.
Like the painted bonnet she will always wear,
The child becomes object coldly done.
Voices whisper how beautifully prepared,
A doll sleeping, her soul now angelized,
But these are kindly lies.
All words wound this hushed, cold night.
See—the cheeks too cotton-filled, the eyelids
Tightly sewn, the tight skin looks rubbered.
Yet, what can be real this terrible long night?
See the mother, too young to nurse such pain,
The grandparents, crushed, cannot help.
The baby’s death ruptured a fearful order of things,
If there is purpose here, or plan, or hope,
Look for it too in a fisherman’s knot, a blind man’s blackness,
Or in lightning’s flashing.
In muted tones, our family softly calls Death names,
But nothing out there hears, or sees or cares
Our baby came or went. Now we keep our
Slowly ebbing pain, our crippled hearts and for
This little while, this little hollowed shell.
Daniel Callaghan
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